Home › Forum Online Discussion › Philosophy › He Has No Place For Death To Enter (TTC)
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January 27, 2018 at 2:41 pm #51653rideforeverParticipant
He who knows how to live can walk abroad
Without fear of rhinoceros or tiger.
He will not be wounded in battle.
For in him rhinoceroses can find no
place to thrust their horn,
Tigers no place to use their claws,
And weapons no place to pierce.
Why is this so?
Because he has no place for death to enter.-TTC
What does this mean ????
January 31, 2018 at 3:22 pm #51658c_howdyParticipantBarthes’s analysis is influenced by the structuralist linguistics of Ferdinand de Saussure; both Barthes and Saussure aim to explore and demystify the link between a sign and its meaning. But Barthes moves beyond structuralism in that he criticises the propensity of narratology to establish the overall system out of which all individual narratives are created, which makes the text lose its specificity (différance) (I). Barthes uses five specific “codes” that thematically, semiotically, and otherwise make a literary text reflect structures that are interwoven, but not in a definite way that closes the meaning of the text (XII). Barthes insists on the (different degrees of) plurality of a text—a plurality that should not be reduced by any privileged interpretation. He also flags the way in which the reader is an active producer of interpretations of the text, rather than a passive consumer. (II).
-https://en.wikipedia.org/wiki/S/Z-
Sorry for my broken English.
Hermeneutically interesting question, but it cannot–in the structuralist sense–be worked out like Roland Barthes would do because Chinese written (and of course also spoken ones) language is so different compared to languages of the Indo-European languege group.
HOWDY
…the plot of Sarrasine is relatively uncomplicated. A sculptor falls in love with a woman who is actually a castrato, a man who has had his penis surgically removed. In an earlier published article, “The Death of the Author,” Barthes uses Sarrasine as a starting point that leads toward involving the reader in a multi-faceted exploration of the story’s plurality of voices even as he diminishes the role of the writer…
-http://www.wussu.com/laotzu/laotzu50.html-
Tao Te Ching – Lao Tzu – chapter 50
Between birth and death,
Three in ten are following life,
Three in ten are following death,
And men just passing from birth to death also number three in ten.
Why is this so?
Because they live their lives on the gross level.He who knows how to live can walk abroad
Without fear of rhinocerous or tiger.
He will not be wounded in battle.
For in him rhinoceroses can find no place to thrust their horn,
Tigers can find no place to use their claws,
And weapons no place to pierce.
Why is this so? Because he has no place for death to enter.January 31, 2018 at 6:08 pm #51659c_howdyParticipantPs. What is disturbing in that TTC verse at first sight is a reference to rhinoceros.
HOWDY
-https://en.wikipedia.org/wiki/Laozi#Historical_views-
According to traditional accounts, Laozi was a scholar who worked as the Keeper of the Archives for the royal court of Zhou. This reportedly allowed him broad access to the works of the Yellow Emperor and other classics of the time. The stories assert that Laozi never opened a formal school but nonetheless attracted a large number of students and loyal disciples.
-https://en.wikipedia.org/wiki/Rhinoceroses_in_ancient_China-
The existence of rhinoceroses in ancient China is attested both by archaeological evidence and by references in ancient Chinese literature. Depictions of rhinoceroses in ancient Chinese art are typically very accurate and lifelike, suggesting that they were modelled first-hand by the artist on living rhinoceroses rather than being based on legend or traveller’s tales.
-https://en.wikipedia.org/wiki/Chimera_(mythology)-
The Chimera (/kɪˈmɪərə/ or /kaɪˈmɪərə/, also Chimaera (Chimæra); Greek: Χίμαιρα, Chímaira “she-goat”) was, according to Greek mythology, a monstrous fire-breathing hybrid creature of Lycia in Asia Minor, composed of the parts of more than one animal. It is usually depicted as a lion, with the head of a goat arising from its back, and a tail that might end with a snake’s head, and was one of the offspring of Typhon and Echidna and a sibling of such monsters as Cerberus and the Lernaean Hydra.
https://en.wikipedia.org/wiki/H%C3%A4xan
Häxan (Danish title: Heksen; Swedish title: Häxan; English title: The Witches or Witchcraft Through the Ages) is a 1922 Swedish-Danish documentary-style silent horror film written and directed by Benjamin Christensen. Based partly on Christensen’s study of the Malleus Maleficarum, a 15th-century German guide for inquisitors, Häxan is a study of how superstition and the misunderstanding of diseases and mental illness could lead to the hysteria of the witch-hunts. The film was made as a documentary but contains dramatised sequences that are comparable to horror films.
January 31, 2018 at 7:26 pm #51660rideforeverParticipantThe beginning of the universe
Is the mother of all things.
Knowing the mother, one also knows the sons.
Knowing the sons, yet remaining in
touch with the mother,
Brings freedom from the fear of death.Knowing the Tao, one also knows the Tigers
Knowing the Rhino, yet remaining in touch with the Tao
Brings freedom from the fear of deathBeing dead to this world means existing from the rhythm of the Tao rather than the rhythm of this world birth->death. This world is a gross echo and horizontal expansion from the Tao.
On the Earth beings cling to the polarities of Life or Death or wander absent-mindedly, they have no grasp of the Tao so have no other options.
Rhino and Tiger resist you if you resist them, but if they meet one who does not resist their existence who is not in competition with them ?Earth creatures starved of the nourishment of the Tao fight each other for the limited resources. But a creature of the Tao is nourishing and others can get what they need from you without harming you.
January 31, 2018 at 7:36 pm #51661rideforeverParticipantThis world is a bright and shimmering efflorescence over the mysterious Tao.
We are the space-born, those born in the dimension of shimmering efflorescence, will we return and merge with the mother, or be be churned under like other temporal images.
January 31, 2018 at 8:07 pm #51663c_howdyParticipantSorry, but in my opinion Roland Barthes’ book is quite deep although Honoré de Balzac is very boring author.
It’s´worth reading.
HOWDY
February 1, 2018 at 7:38 pm #51665c_howdyParticipant-https://en.wikipedia.org/wiki/Chinese_characters#Principles_of_formation-
Chinese characters represent words of the language using several strategies. A few characters, including some of the most commonly used, were originally pictograms, which depicted the objects denoted, or ideograms, in which meaning was expressed iconically. The vast majority were written using the rebus principle, in which a character for a similarly sounding word was either simply borrowed or (more commonly) extended with a disambiguating semantic marker to form a phono-semantic compound character.
-http://www.schrades.com/tao/taotext.cfm?TaoID=52-
Fifty Two
The beginning of the universe Is the mother of all things. Knowing the mother, on also knows the sons. Knowing the sons, yet remaining in touch with the mother, Brings freedom from the fear of death. Keep your mouth shut, Guard the senses, And life is ever full. Open your mouth, Always be busy, And life is beyond hope. Seeing the small is insight; Yielding to force is strength. Using the outer light, return to insight, And in this way be saved from harm. This is learning constancy.
February 2, 2018 at 7:50 pm #51666c_howdyParticipant-https://en.wikipedia.org/wiki/Masterpieces_of_the_Oral_and_Intangible_Heritage_of_Humanity-
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness on intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural expressions. Several manifestations of intangible heritage around the world were awarded the title of Masterpieces to recognize the value of the non-material component of culture, as well as entail the commitment of states to promote and safeguard the Masterpieces. Further proclamations occurred biennially until 2005.
https://en.wikipedia.org/wiki/Vedic_chant#Oral_transmission
Prodigious energy was expended by ancient Indian culture in ensuring that these texts were transmitted from generation to generation with inordinate fidelity. Many forms of recitation or pathas were designed to aid accuracy in recitation and the transmission of the Vedas and other knowledge texts from one generation to the next. All hymns in each Veda were recited in this way; for example, all 1,028 hymns with 10,600 verses of the Rigveda was preserved in this way. Each text was recited in a number of ways, to ensure that the different methods of recitation acted as a cross check on the other.
February 2, 2018 at 8:12 pm #51667rideforeverParticipantHe who misses the nose in front of his face gets busy and begins wiseacring.
Perhaps wiseacring was the goal in the first place, looking for an opportunity.
The more mankind talks about understanding and progress the more he is exactly the same.
Can a species talk about progress and peace for 20,000 years whilst remaining exactly the same and full of war ?
“Behold the depth of your sleep”February 2, 2018 at 11:30 pm #51669c_howdyParticipant…they prefered to capture. Unlike many ancient warriors Aztecs didn’t want to kill their enemies on the battlefield instead they wanted to capture them. Killing an enemy was actually considered to be clumsy; Aztecs believed it took much more skill to capture them and bring them alive to famed Aztec capital Tenochtitlan… (0:11-0:30)
…they practiced human sacrifice with they captives… (0:45=>etc.)
…whilst remaining exactly the same and full of war …
What about the Aztec worldview?
Too cruel?
HOWDY
-http://www.mushmagic.com/blog-what-is-the-difference-between-psilocybin-and-mescaline-n55-
During the Pre-Colombian era mescaline was used primarily where the cacti grew. Mexico and Central America. The Aztecs used mescaline rich cacti like peyote or san pedro for vital rituals and tribal rights. They believed the vivid hallucinations and deep interpersonal contact were gifts from the gods
-https://en.wikipedia.org/wiki/Codex_Zouche-Nuttall-
The Codex Zouche-Nuttall or Codex Tonindeye is an accordion-folded pre-Columbian document of Mixtec pictography, now in the collections of the British Museum.
February 3, 2018 at 1:18 am #51670c_howdyParticipantPs. Sorry but I don’t inted to promote even slightly use of various hallusinogens. My idea simply is that these quite easily available substances in Mexico, whether from peyote or any of the very numerous magic mushrooms, can lead to contact with “gods” with extremely cruel intent from any normal point of view. Sorry for my broken English.
HOWDY
-https://es.wikipedia.org/wiki/La_Gardu%C3%B1a_(sociedad_secreta)-
La Garduña supuestamente fue una sociedad secreta criminal que habría operado en España y sus colonias desde mediados del siglo XV hasta el siglo XIX. Sin embargo, las fuentes que hablan de ella son muy discutidas y la misma existencia de la sociedad es cuestionada por varios historiadores modernos.
-https://en.wikipedia.org/wiki/Gardu%C3%B1a-
A Calabrian folk song suggests a much larger legacy. It tells the story of three Garduña “brothers” or three Spanish knights who fled Spain in the 17th century after washing with blood the honour of their seduced sister. They were shipwrecked on the island of Favignana, near Sicily. Mastrosso, devout of Virgin Mary, made his way to Naples and founded the Camorra. Carcagnosso, protected by Saint Michael, made his way to Calabria and founded the ‘Ndrangheta. Osso, devoted to Saint George, made his way to Sicily and founded the Mafia.
February 3, 2018 at 7:15 am #51671rideforeverParticipantIt is quite a shock to wake up to the fact that there is no progress, and that people are not really people, but deranged actors, hungry ghosts trying to desperately to cover their insecurities and misattributing everything .
This world is well described as maya.
Are you going to get out ?
Do you even realise you need to get out ?People do not hope because they don’t even realise they need to hope.
Be well warned.
February 3, 2018 at 8:56 am #51672c_howdyParticipanthttps://www.youtube.com/watch?v=yzHJf-am0QY
Clearly Charles Baudelaire was miserable in body but never in spirit.
In the movie above Enki Bilal simply lost why he used him to boost his comical narrative.
So I will now have quite much time at last to start my real mathematical journey.
HOWDY
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